I’ve been winding up a rock band workshop at the Old Library Studio for the last three days.
And the song itself is weird.
A year or two ago I wrote a crazy thirteen verse song about a fictional Chinese village with the same rhyme scheme on every verse.
Oh and the whole melody was made up of 5 notes.
And those five notes were all from a diminished 7th chord.
And every verse was supposed to be in a different key.
With different arrangement and harmonisation.
And different time signature if need be.
So when plan A is that deranged you’ll understand why I felt slightly relieved deciding to reset the lyrics to a bizarre chromatic melody that was originally a hyperactive guitar instrumental called Verbal Gerbils (written in 1997).
This is something I have never done before, so I feel like I am not only working how to get to where I want to go, but laying the tarmac on the ground at the same time.
I’m getting there though.