Writing Songs With – Noel Fielding And The Goons


Watching Noel Fielding‘s new show Luxury Comedy I was blown away by his level of
inventiveness, It seemed like every millimetre of the show was packed with originality – sets, dialogue, costumes, characterisation, plot (or lack of) and crazy DIY special effects.

And yet it didn’t make me laugh.

When you find yourself desperately trying to like something is a good exercise to ask why. Sometimes it’s peer pressure (everyone says Mozart’s a genius) sometimes it’s a shared history/loyalty with the band (who’s gonna fly the grumpy shoegazer rockstar banner now Radiohead have gone electro?) sometimes it’s financial (I just took out a second mortgage for this Brian Wilson box set).

Luxury Comedy

would be the kind of show that The Goons would be making if they were around now. I love the Goons. I LOVE the Goons. Why do I connect with this show that ended before I was even born, but not it’s descendant? Am I like some weirdo who prefers hanging out with his schoolmate’s dads?

The Goon Show was a bizarre blend of surrealism, subtle anti-establishment satire and corny old musical hall jokes. In the midst of the whacked out nonsense there was often a gag with a mental age of 3. That for me is the key. The corny jokes were something to latch onto until you got acclimatised to the surreal atmosphere.

And that’s our songwriting lesson.

If you’re seeking to go out on a limb in your songwriting make sure there is some familiar landmark that your listeners can grab onto.

Wanna have your song use multiple time signatures? At the same time? Maybe have really simple lyrics that everyone can relate to. Or want to set your thesis about product placement in the history of colonial Nigeria to music? Try using a simple chord progression and melody. Is your medley complex and atonal? Don’t play it on a saw.

Or do. If you must.

But whenever you find yourself climbing to the tippy top branch of the crazy tree or falling down the rabbit hole of artistic self indulgence, remember to put in a some familiar little detail, something that reminds your listeners of home. A simple sign that says “You Are Here”.

Postscript: At the very least, do the weird part a couple of times in a row. “Repetition makes the strange familiar” – Nicholas Tozier

Free songs by Matt Blick

About mattblick

Songwriter/Singer from Nottingham, UK. My 2nd EP, Everything In The World Is Fighting Everything In The Sky, is out now. I'm blogging (& podcasting) through the entire Beatles catalogue at Beatles Songwriting Academy. In my spare time I wish I had some spare time.
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4 Responses to Writing Songs With – Noel Fielding And The Goons

  1. Tozier says:

    Thoughtful post, Matt. My friend, the fiddler Hope Hoffman, introduced me to The Goon Show a few years ago.

    Agreed–songs usually benefit from some sense of orientation, even if that just means a bit of repetition. Repetition makes the strange familiar.

  2. Matt Blick says:

    "Repetition makes the strange familiar." – So true. You my friend are an indie songwriting Yoda

  3. Rob From Amersfoort says:

    George Martin produced a Goon Show album before he started working with The Beatles. I guess his experience with sound effects had an effect on the Beatles sound later.

  4. Matt Blick says:

    The Beatles loved the Goons (it shows on You Know My Name) and the fact that George produced them was a big vote in his favour (as it was for A Hard Day's Night director Richard Lester).

    BTW – I've got a collab on FAWM up soon that is the Beatliest thing I've ever done!

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